"Hard Times" for Louisa in Dickens' Short Masterpiece by Janet Cameron
What
Price Individual Rights? "Hard Times" opposes the
Utilitarianism of Jeremy Bentham.
Copyright Janet Cameron |
Charles
Dickens (1812-1870) was incensed by the new moral philosophical
movement of Utilitarianism. The movement's founding father,
reformer, Jeremy Bentham, a Philosophical Radical, believed that
human beings behave in a certain way in order to maximise pleasure
and minimise pain, therefore society's responsibility was to promote
"the greatest happiness in the greatest number of people."
While
Charles Dickens agreed with many of Bentham's beliefs, for example,
with regard to social reform, minimum wages and prison conditions, he
objected to the general ethic of the movement, which he believed
ignored the importance of individual rights. The central protagonist
in his novel, Hard
Times,
set in the fictional town of Coketown, is the headmaster Thomas
Gradgrind, bent on treating his small charges as "little
pitchers" which he could fill with facts. Gradgrind's daughter,
Louisa, was trained to repress the bright sparks of creativity within
her and spent much of her time gazing into the fire, an activity
symbolic of her inner turmoil and her desperate awareness of time
passing.
Fact,
not Fancy
Louisa's
upbringing was based on fact, not fancy. Indoctrinated from early
childhood to subdue any "bright sparks" and to see life as
a set of calculations and statistics by her father, she was in a
state of utter hopelessness. As she gazed into the fire, the bright
red sparks represented her fierce but repressed longings; while the
white ashes revealed them consumed by her father's Utilitarian
principles, and by time itself. She thought of being grown up, and of
the brevity of life, and likened the unchanging fires of Coketown to
"Old Time... secret and noiseless." The turmoil in
her enquiring mind was evoked in the episode where Gradgrind caught
his children peeping at the circus. Louisa responded to his
admonitions with an air of "jaded sullenness" described by
Dickens as "a light with nothing to rest upon, a fire with
nothing to burn."
The
Deadly, Statistical Clock Beating Time
Gradgrind
presented Louisa with the awful Bounderby's marriage proposal, by
appointment, in his Observatory: "...a stern room with a deadly,
statistical clock in it, which measured every second with a beat like
a rap upon a coffin lid." Again, the sense of time is prevalent
as Dickens makes use of short, stark phrases to evoke the atmosphere
between the father and daughter. "Silence beween them. The
deadly statistical clock very hollow. The distant smoke very black
and heavy." This black, heavy smoke is a metaphor for the deep
depression within Louisa at the inevitability of her fate.
Louisa
responded to her father's facts and statistics, meant to provoke her
agreement, by asking deep and important questions in a matter-of-fact
manner, as she had been trained to do. She appealed to him by
referring to the Coketown chimneys. "There seems to be nothing
there but languid and monotonous smoke. Yet, when the night comes,
fire bursts out father!" This fire was her own pent-up longing
to erupt.
Imprisoned
Forces
Finally,
she concluded: "What does it matter. I have never had a child's
heart." Gradgrind failed to see the irony in her words,
only the facts, and Louisa was doomed to an emotional breakdown. As
the ordeal of her life reached its culmination, and the bright sparks
of her firegazing turned to ashes to "smoulder within her like
an unwholesome fire" her stifled imagination turned inwards upon
her, making her angry and bitter. "Where are the sentiments of
my heart? ... its ashes alone would save me from the void in which my
whole life sinks."
"All
closely imprisoned forces rend and destroy," says Dickens. This
was the basis of Louisa's conflict, explaining her habit of staring
at the living force of the fire and its whitening, dying embers.
Sources:
-
Dickens, Charles, Hard Times, First published in Household Words,1854.
-
Harwood, Jeremy, "Jeremy Bentham," Philosophy - 100 Great Thinkers, Quercus, 2010.
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