Janet Cameron

Copyright: Janet Cameron To use foreshadowing in your story means, simply, to hint at some drama to come. Foreshadowing means to indicate or show in advance a future happening and the use of a foreshadowing scene can greatly increase tension. It’s a matter of helping the reader make the right connections through suggestion, sometimes direct and sometimes subtle. Symbols and omens are also useful devices. Chekhov’s Gun is a well-known example of foreshadowing. In an article on the New World Encyclopedia website, the (unnamed) author quotes the words Chekhov wrote in a letter in 1889: “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter, it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.” To draw the reader's attention to the drama hinted at by foreshadowing, references to the relevant object may be repeated in diverse ways. Example of Foreshadowing from Author, Stephen King: This

If you are a writer, cause and effect is a major source of conflict and interest.  However, one philosopher denied we could ever be sure about cause and effect.  Did you once believe there could only be white swans: Public Domain, Wikimedia Commons More than that, he also said we were just a bunch of perceptions and there was no such thing as "self." What's more he was amazingly stoical about no one liking his book: "As a child prodigy, David Hume entered University at the tender age of eleven years; and after graduation, began to follow the theories of John Locke. His good-natured humour reaches out to us from beyond the grave. According to Jeremy Harwood in Philosophy, 100 Great Thinkers, Hume wrote his first and chief philosophical work A Treatise on Human Nature in France in the mid-1730s and published it when he was 28 years old, noting that “…it fell dead-born from the press.”   Read more

I don't usually repost jokey material from Facebook, but I can't resist sharing this.  Reminds me of my mother. She always said I should do what she told me to do, not copy what she did!!! Also, I reckon people should stop bossing writers about.  D.H. Lawrence made a style out of using superfluous words and his prose sounds like poetry. So there!

Ezra Pound said, “Good writers are those who keep the language efficient.   When you need to consider what works for you and what will appeal to your intended readership, think of the four questions George Orwell says you must ask about your style.      a .   What am I trying to say?                       b .   What words will express it?   c .   What image will make it clearer?         d .   Is this image fresh enough to   have an effect? Here is a checklist for the most common fiction faults:    Ezra Pound by Alvin Langdon Coburn a.    Beginning too slow?   Have you hooked? b.   Character/s are not sufficiently rounded.   We don’t care what happens to  them. c.   The story has no shape.   A series of episodes isn’t a story.   You need  conflict, change and growth. d.   Character’s problem wasn’t strong enough to sustain the tension. e.   Time-span was too long. f.   Too many characters.   Are they all necessary? g.   Story seem